Scott Detweiler | Travelin Man

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Travelin Man

by Scott Detweiler

Travelin Man describes the feeling of being separated from a loved one by many miles.
Genre: Folk: Singer/Songwriter
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1. Travelin Man
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Album Notes
Travelin Man is an intimately crafted song for guitar and vocals by Scott Detweiler. The singer is talking to a loved one about the pain being felt from their separation by many, many miles. And about the toll travelling is taking on his soul. From his 2010 album, "Johnston Solo Sessions", Travelin Man is being released digitally for the first time.

Scott Detweiler - guitar/vocals
Recorded at Addison Studios, North Hollywood, California
Engineered and produced by Bill Johnston

©2010, 2013, 2017, 2019 Detweiler Music, ASCAP. All Rights Reserved. Words and Music by Scott Detweiler.

About Scott

Scott Detweiler is an American artist, born and raised in the Uptown neighborhood of New Orleans, Louisiana, USA. Over the course of his 30 (thirty) year career, his catalog of albums has chronicled his evolution into a highly unique composer/performer, blending the styles of funk, jazz, blues, gospel & soul. His lyrics tell imaginatively woven stories that follow in the grand tradition of southern writers and classic lyricists. He is a true son of the rich musical climate and one-of-a-kind culture that is the Crescent City. It is these influences that are in the soul of his creations and evident in his live performances, whether solo, in chamber group or backed by his New Orleans Jazz Funksemble.

Detweiler is a charismatic entertainer with a unique ability to touch his audience, whether it be in the intimate setting of a small jazz club, through the lens of a camera or on the concert stage of an arena. And he touches them not only with his sounds but also with his stories and candid observations about life. He performs with intensity from within, bearing and revealing his soul through every song. He is most at home in front of a crowd.

The strong influences of N.O. horn players, piano players and drummers are the essence of his unique style of guitar playing, from the horn/piano like phrasing of his solos to his syncopated rhythm guitar work. He attributes much of his solid sense of rhythm to watching marching bands in the dozens of parades, every Mardi Gras season for over 20 (twenty) years (about the first half of his life). This fusion of drum rhythm with rhythm guitar is the integral part of his style. "When I first started playing, I could not play well enough to integrate everything I was hearing in my head into my playing.....but I found that as my playing developed it allowed my vocal ability to grow along with it, enabling me to sing over more sophisticated syncopated rhythms", explains Detweiler.

As for his singing, he is influenced by the multitude artists such as Aaron Neville, Irma Thomas, Ernie K. Doe, Frogman Henry, Professor Longhair, James Rivers, Fats Domino, Allan Toussaint, Ernie K. Doe, and many others, whose intimate live performances he would experience live, in the informal environment of the weekly TGIF quad parties at Tulane University (behind Detweiler House). "When we would get home from school, we could hear the music coming from the quad, so we'd ride our bikes around the corner to watch the band and throw Frisbees with the Tulane students and their dogs", he recalls. In the clubs, throughout high school and college, he would find other influences, most notably, guitarists Jimmy Robinson (Woodenhead) and Leslie Martin (The Shieks).

The Evolution of A Style:

Detweiler started playing guitar at age 17, studying in the studio of renowned New Orleans guitar instructor, Ellen Simon. It was at this time that he also started to sing. That summer he sang in the chorus of a Tulane University Junior Lyric Theatre production of "Little Mary Sunshine", under the direction of Anthony Laciura (a man who would have a profound impact on his career). A year later he enrolled in the jazz guitar program at Loyola, as a private student of Bill Huntington, who, at the time, was bassist for legendary New Orleans trumpeter, Al Hirt. He then studied music composition at the University of New Orleans. At UNO he was the only non-vocal-major member of the elite, 25 (twenty-five) member University Chorale. He also sang with the UNO University Opera Company. His first exposure to orchestration was at the piano in the Marsalis living room, during his time studying as a private pupil of Ellis Marsalis (father of jazz artists Wynton, Branford, Delfayo and Jason). Detweiler would continue his studies in Los Angeles, studying string arranging with Henry Mancini (Peter Gunn, Romeo and Juliet, Breakfast At Tiffany's, Moonriver), orchestration with Pulitzer Prize winning composer, Dr. Albert Harris (Barbara Streisand), and film scoring with Earl Hagen (Andy Griffith Show, Gomer Pyle and I Spy). In Los Angeles he also studied lyric writing with lyricist, K.A. Parker and song writing with Harriet Schock. Detweiler most recently studied jazz improvisation under the tutelage of jazz guitar master, Robert Conti. "I am still learning the guitar..", says Detweiler, after 40 (forty) years of playing.

Detweiler New Orleans Jazz Funksemble is his Los Angeles based band, seasoned and well versed in not only Detweiler's catalog of material, but also his original signature arrangements of classics by artists such a Miles Davis, John Coltrane and The Neville Brothers.

Scott is a prolific writer and has many influences, but considers Bernstein, Gershwin, The Meters and The Neville Brothers to be his strongest. As for his lyrical influences, Detweiler says, "The lyricists would be Tim Rice and Bob Dylan. But writers like Dostoyevski, O. Henry, Tennessee Williams and Rod Serling are important, too".

His artistic evolution is chronicled in his complete discography.

Some of the artists with whom Detweiler has shared the bill include Gregg Allman, The Neville Brothers, Arlo Guthrie, David Bromberg, Woodenhead and The Preservation Hall Jazz Band. He has worked with members of the Los Angeles Philharmonic Orchestra, and recorded and written with Orgone, Allen Toussaint and Joseph Parsons, to name a few. He has performed with Dr. John M. Kennedy and Satik Andriassian of Chamber Players of Los Angeles and with The Donny Most Big Band. His symphonic premiere as a composer was with New Orleans Symphony.

Scott's work has been honored by The Billboard Music Awards, Utah Symphony Guild, Nashville City Song Festival and the Los Angeles Song Writer's Showcase. A Congressional Certificate of Recognition was awarded to Mr. Detweiler by U.S. Congressman Brad Sherman for his contribution to the arts in California.

Detweiler's music can be heard in both film and television soundtracks.

He has worked as collaborating composer with Gabriel Masson Dance of New York, Shirley Martin Dancers (North Hollywood, CA) and Ballet Memphis (TN).

In addition to performing throughout the U.S., Detweiler, backed by his New Orleans Jazz Funksemble, has performed in Europe, South America and Asia.

He is an endorsing artist with AMI Guitars, Peerless Guitars, Fishman Electronics, KTS Bridges, Conti Guitars, and Olympia Strings.

Scott also serves as a juror and board member for the annual Gohar and Ovanes Andriassian Classical Guitar Competition and Festival at California State University Los Angeles.



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