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Gap Mangione | Family Holidays

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Jazz: Smooth Jazz Reggae: Calypso Moods: Mood: Seasonal
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Family Holidays

by Gap Mangione

New and unique treatments of traditional and nontraditional holiday music and some new Mangione originals. Featuring Steve Gadd, Grant Geissman, Tony Levin, Gerry Niewood, Pat Labarbera, Jeff Jarvis, Andy Weinzler.
Genre: Jazz: Smooth Jazz
Release Date: 

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  Song Share Time Download
1. O Christmas Tree
4:08 album only
2. Sleigh Ride
5:12 album only
3. Christmas Waltz
4:56 album only
4. Santa Claus Is Coming to Town
4:26 album only
5. Sweet Cheryl Lynn
6:40 album only
6. Cinco De Mayo ('˜85)
6:37 album only
7. Carol of the Bells
3:39 album only
8. Serenata
5:58 album only
9. Bellezza
4:19 album only
10. Joy to the World
1:49 album only
11. The Way We Celebrate New Year's
6:07 album only
12. What Are You Doing On New Year's Eve
7:26 album only
13. Amazing Grace
3:38 album only
14. Tarantellas
3:17 album only
15. Silent Night
5:00 album only


Album Notes
Born in Rochester, New York, Gap (Gaspare) Mangione was raised in a closely-knit, Italian family where music poured from the radio and phonograph. Papa Mangione would regularly invite visiting musicians home to pasta dinners -- gatherings which were often followed by impromptu jazz sessions. By the time Gap was 13, he was playing the blues on the family piano and encouraging his brother, Chuck, to join him in improvisations; at 15, he was writing and arranging for local big bands. Eventually the brothers Mangione decided it was time to form their own band. They called themselves The Jazz Brothers.

Through the efforts of an admiring Cannonball Adderley, they began recording for Riverside Records. Their first album, The Jazz Brothers, was released in 1960. Two more albums, Hey Baby! and Spring Fever were released the following year and all three are now prized collector's items.

Gap earned his degrees from Syracuse University in 1965. Three years later, he released his first solo album, Diana In The Autumn Wind. This album has just been released on CD for the first time. The album also introduced brother Chuck's orchestral arrangements and presented Steve Gadd and Tony Levin in their first recording. Four years later they all performed on Gap's Sing Along Junk album on the Mercury label.

Gap has recorded four albums for A & M, She and I, Gap Mangione!, Suite Lady and Dancin'. The latter two were produced by guitarist/composer, Larry Carlton, who performed on both. In all, Gap has recorded seven solo albums and is heard on ten recordings with Chuck Mangione. From 1972 through 1982, Gap toured the United States with his group, performing in Mexico, Canada and Europe as well. He regularly appeared as featured guest artist on Chuck Mangione's orchestra tours and recordings.

Gap then returned to Rochester to begin a series of long term engagements. A six-part television series, "Gap's Generation," hosted by Gap Mangione was released and syndicated on PBS. Gap and Chuck came together again for the 25th Anniversary Reunion Tour of The Jazz Brothers which traveled coast to coast. Videotaped highlights of the tour were featured on CBS Sunday Morning. Danny DeVito's movie, "The Ratings Game," included Gap's playing of his composition She & I and other recorded performances with his trio.

The Lodge at Woodcliff in Rochester has become the new home base for Gap's solo piano and group performances. Since then, The Boys From Rochester, an album featuring Gap, Chuck and Steve Gadd was released, and Gap formed his Big Band. At Dizzy's request, Gap's jazz quintet opened for, and accompanied Dizzy Gillespie in concert; and the Jazz Brother's Hey Baby! and Spring Fever albums were reissued on CD. There were tours with Chuck Mangione: the small jazz group "Little Giants Reunion Tour" and "The Hat's Back" tour with a 100-member symphony orchestra and the original Jazz Brothers album was reissued on CD completing the set.

Gap has been guest soloist with the Rochester Philharmonic Orchestra, and he and the Big Band played at the Blue Note jazz club in New York City with Chuck Mangione as special guest. He regularly appears at New York City's Knickerbocker jazz club with his own trio. He and Chuck often join musical forces on Chuck's tours or with Gap's Big Band. Recently, famed rapper Talib Kweli sampled a section of Gap's Diana in the Autumn Wind and made it part of his hit CD, "Quality." Rapper Guerilla Black has done the same on his CD "Compton."

Gap continues to play solo piano and with his New Blues Band at the Lodge at Woodcliff and his Big Band has great success in concerts and in social settings. Gap's CDs Planet Gap, Ardis, Diana in the Autumn Wind, Stolen Moments and Family Holidays are now in release.

Gap Mangione: The Big Band

Gap Mangione has always loved big bands. From his first experiences as a youngster when his father would take him and his brother to hear the best of them in live performance, to the teenage experience of arranging for and playing semi-professional groups, to his college days at Syracuse University when, as house pianist at the 1200 seat Three Rivers Inn Theater Restaurant, he played in big bands accompanying the likes of Sammy Davis Jr., and Nat King Cole. to his first solo recording [Diana In The Autumn Wind] which introduced the big band writing talents of Gap Mangione and Chuck Mangione to a national audience, to the present day, he has been involved with big bands and has sustained a passion for and a fascination with the sounds and possibilities of this wonderful musical entity.

The most recent edition of this is The Big Band, formed originally to play a 30-week engagement at a dance club. Assembling the best musicians who lived within driving distance of Rochester, Gap set to work writing for the group and gathering musical contributions from others including Dizzy Gillespie and Chuck Mangione. The resulting combination of musicians, arrangements, and variety of material has kept the band in demand from dance clubs and jazz festivals to formal gala social occasions, from concerts to business entertainment functions [this season's highlights: their appearance at Mixed Greens at Monroe Golf Club and in concert at the Chautauqua Institute].

This band with its compliment of three trumpets, three trombones, four saxophones, rhythm section and vocalists, includes in its repertoire arrangements from the swing era bands through the more modern big bands to a cross section of the best in popular music, arranged specifically for this group. The emphasis is on quality, style and variety.

The band's particular feature is the music of Gap Mangione and Chuck Mangione. Most of their music is well known, but some, which has not been recorded until now, could only be heard in performances by the group, [i.e., Chuck's "Rochester, My Sweet Home," composed for Rochester's sesquicentennial, Gap's "My Favorite Dream" and "Calypso For Janet" and Gap's arrangement and the band's playing of "Take Me Out To The Ball Game"].

Gap Mangione's CD Planet Gap: The Big Band is a jazz oriented delight. For this recording, Steve Gadd, John Patitucci, Pat LaBarbera and Gerry Niewood - each a former member of Gap's groups - are added to the regular roster of players to create an especially enjoyable and fun time, and an unusual musical treat.

Gap Mangione's Big Band has released three CDs: Planet Gap, Stolen Moments and Family Holidays. Each is a jazz oriented delight. For these recordings, Steve Gadd, Tony Levin, John Patitucci, Grant Geissman, Pat LaBarbera and Gerry Niewood, each a former member of Gap's groups, are added to the regular roster of players to create an especially enjoyable and fun time, and an unusual musical treat.



to write a review

Derrick Bang,

The album ... sounds like it could have been one incredible Christmas party.
Gap Mangione’s “Family Holidays” (JM 2005), is a release that the keyboardist intends to represent and reflect the traditional Mangione family holiday experience...

Roughly half the numbers are familiar Christmas carols delivered in a rousing big band style: wonderfully entertaining, and every one a finger-snapping swinger. The others are a mixed batch of various family members’ favorite tunes or hymns ... or, in the case of a rousing cover of Leroy Anderson’s “Serenata,” something that Mangione remembers from “philharmonic pops concerts that often took place during the holiday season.” (And I don’t expect many other holiday albums to include “Tarentellas.”)

One of the nonholiday originals, “Sweet Cheryl Lynn,” bears the unmistakable artistic stamp of its composer, Chuck Mangione. As with the best of his many tunes, this one is bouncy and effortlessly melodic, its reading highlighted by Gerry Niewood’s vibrant soprano sax solo.

Actually, that’s one of the best parts of this album’s liner notes: the meticulous attention to solo details. I love being able to praise Pat LaBarbera and Jack Schantz for their tenor sax and trumpet solos (respectively) on the gentle reading of “The Christmas Waltz,” and Grant Geissman is all over the place during a slow, rhythmic shuffle version of “Santa Claus Is Coming to Town,” easily the CD’s most delightful track.

As for the gorgeous, rousing fury of a classic big band sound, go no further than “What Are You Doing New Year’s Eve” and “O Christmas Tree,” both of which allow plenty of time for numerous sidemen to shine.

The album concludes with tenor saxman Andy Weinzler’s gorgeous reading of “Silent Night,” a quiet finish to what sounds like it could have been one incredible Christmas party.

Bill DeLapp -- Syracuse New Times

Mangione's big-band blast accomplishes something most holiday albums can't: You
Gap Mangione. Family Holidays (Josh Music). Rochester-born and -bred keyboardist Mangione sidelines the expected schmaltz from the Christmas standards found on this album, instead imbuing each number with vivacious jolts of energy. His rearrangement of "Sleigh Ride" takes the Leroy Anderson original into new realms of musical majesty, with trumpeter Jeff Jarvis and John Hasselback on trombone helping to lead the charge and significantly change the old chestnut. Mangione's big-band blast accomplishes something most holiday albums can't: You can play it year-round, because it's that good. --Bill DeLapp