John January & Linda Berry | Chemistry 101

Go To Artist Page

Recommended if You Like
Duke Robbilard Rory Gallgher Susan Tedeschi

More Artists From
United States - California

Other Genres You Will Love
Blues: Rockin' Blues Rock: American Trad Rock Moods: Mood: Fun
Sell your music everywhere
There are no items in your wishlist.

Chemistry 101

by John January & Linda Berry

Take the ballsy downbeat of great Rock And Roll, mate it with strong, sexy Blues vocals and visceral guitar playing and you have a 2018 San Diego Music Awards Best Blues Album nominee.
Genre: Blues: Rockin' Blues
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
just a few left.
order now!
Buy 2 or more of this title's physical copies and get 10% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. I Can't Stop It
John January & Linda Berry
3:13 $0.99
2. Geechee Woman
John January & Linda Berry
5:02 $0.99
3. Looking This World Over
John January & Linda Berry
4:09 $0.99
4. Don't Let Your Feet Get Cold
John January & Linda Berry
4:13 $0.99
5. I'll Be Your Baby Tonight
John January & Linda Berry
4:14 $0.99
6. Say Baby Say
John January & Linda Berry
3:38 $0.99
7. If I Didn't Know Better
John January & Linda Berry
4:00 $0.99
8. I Will Forever Sing the Blues
John January & Linda Berry
4:38 $0.99
9. Sensitive Kind
John January & Linda Berry
3:35 $0.99
10. Mama He Treats Your Daughter Mean
John January & Linda Berry
3:57 $0.99
11. Your Funeral My Trial
John January & Linda Berry
3:58 $0.99
12. They're Red Hot
John January & Linda Berry
3:12 $0.99
Downloads are available as MP3-320 files.


Album Notes
Chemistry 101 is the debut album by John January and Linda Berry, two local blues-rock veterans whose past work has mostly been as members of groups like "little monsters" and Michele Lundeen &Blue Streak (January) and Smokin Jr. (Berry). The two ran into one another a few years ago at one of Berry’s gigs and hit it off; a while later they put together a musical collaboration. The new album is the end result, blues rock with the emphasis on blues, a project that gives guitarist/singer January and vocalist Berry plenty of opportunities to flash their oats, backed by a full band with horns, cutting no corners playing a dozen great covers. It clicks enough to have already grabbed a nomination for Best Blues album at this year’s San Diego Music Awards.

Many of the tunes covered are lesser known—a plus over a batch of songs that tend to get done to death. “I Can’t Stop It” opens, with the principals trading off vocals and doing call and response as they do on many of the other tunes. With a brisk beat and smooth horns, January jumps in with a hot lead guitar break right on cue. Berry is in charge on “Geechee Woman” as she scats back and forth with January’s slide licks, then tells her evil man off. It is a rocking highlight and helps set the tone for a disc that never lets up.

There are no weak tracks or filler here, and “Looking This World Over” grabs the ear for a combo of Berry’s sassy Maria Muldaur-style vocal over the top of nice, lyrical acoustic blues playing by January. Another nifty change of pace is a downshifted treatment of Dylan’s “I’ll Be Your Baby Tonight,” which is played acoustic with harp fills, and sung mostly in harmonies.

“Say Baby Say” is a grinding boogie that Berry takes charge of, dressed up with a hot organ solo by Irv Goldstein and another blazing break by January, who in solo spots seems like a high-octane take on Duke Robillard. A version of “I Will Forever Sing the Blues” is given a funk treatment and sharp vocal turn by January, before he works the upper end of the register for more guitar magic.

Another definite highlight is “Sensitive Kind,” a slow J.J. Cale ballad that becomes a reverent shuffle enhanced by the singing tone of January’s slide. “Your Funeral and My Trial” is familiar to most guitar and harp enthusiasts, and January lays down a blistering reading that benefits from Chuck Arcilla’s sax solo. The album wraps with yet another treat, Robert Johnson’s “They’re Red Hot,” cranked up to jump blues pace and given a swing injection-it is a great way to end a good time album of hot blues.

Chemistry 101 is an appropriate title for this album, since the singers and players’ vibe is always positive, drawing from the strong blues material for a great listen. - The San Diego Troubadour



to write a review