IZZ | My River Flows

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Rock: Progressive Rock Rock: Modern Rock Moods: Mood: Virtuoso
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My River Flows

by IZZ

As the successor to I Move, My River Flows continues to raise the musical bar. From the explosive opening title track to the 21-minute closer, “Deafening Silence”, My River Flows is an emotionally charged listening experience.
Genre: Rock: Progressive Rock
Release Date: 

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  Song Share Time Download
1. My River Flows
5:28 $0.99
2. Late Night Salvation
12:16 $0.99
3. Rose Colored Lenses
3:40 $0.99
4. Deception
7:17 $0.99
5. Crossfire
8:33 $0.99
6. Anything I Can Dream
3:22 $0.99
7. Abby's Song
3:48 $0.99
8. Deafening Silence
21:36 $0.99
Downloads are available as MP3-320 files.


Album Notes
Hailing from just outside Manhattan, IZZ is a talented young band that first made a name for themselves through heavy gigging and a diverse and unique debut CD, 1999’s Sliver of a Sun.

Living proof that progressive rock need not be stuck in the 70s, IZZ’s take on the style is one that marries the influences of the “classic” bands with a fearlessly modern sound. Celtic, classical, funk, fusion, jazz and Latin styles are interwoven with their accessible yet forward-thinking rock, always retaining a keen sense of melody and an overall appreciation for the song as a cohesive whole. The compositions may take the listener in unexpected directions, but the way back is always marked with a great hook or melody.

The band released its second CD, I Move, in 2002. I Move solidified IZZ as a major player in the field of melodic progressive rock. In 2004 IZZ released its third offering entitled Ampersand, Volume 1, a collection of previously unreleased studio and live tracks that span virtually the band’s entire career.

IZZ’s musicians are talented multi-instrumentalists and adept at multi-part vocal harmonies. Lead vocals are shared between the Galgano brothers (Tom and John), while the percussion duties are split in a decidedly unique way: Greg DiMiceli plays an acoustic kit while Brian Coralian uses his various acoustic and electronic percussives to accent and enhance the rhythmic structure of IZZ’s tunes. The result is a fascinating palette of sounds and a bold statement in a genre where fans and musicians too often cringe at the thought of any kind of electronic percussion. Guitarist Paul Bremner brings his own emotional, virtuosic guitar work into the mix and along with John on bass, Tom on keyboards round out the instrumentation. The stunning voices of Anmarie Byrnes and Laura Meade on lead and backing vocals complete the unique IZZ sound.



to write a review


simply the best...
My favourite album from 2005! Thank you, Izz!

John Bowman

Flow On, IZZ
This is a fabulous release. While all the musicians are excellent, I am partial to great guitar work. Paul Bremner gives just that throughout. Favorite songs are hard to pin down being that there are so many, but I would have to go with 'Late Night Salvation', 'Rose Colored Lenses', 'Deception' and 'Crossfire'. I am only sorry I missed them at Nearfest. I hope they continue to release great music and consider returning to PA for another prog festival!


IZZ Improves
After an agonizing year long wait, IZZ finally brings forth the goods. Some of these tunes have been honed at Cal-Prog and other concerts over the past couple of years, I remember hearing "Crossfire" at Cal-Prog '04. I was immediately stunned at the production quality of MRF, I could FEEL the bass and kick drum, powerful stuff!

There is a lot of growth on this record, as in a more cohesive band, thoughtful lyrical content, individual instrumental prowess and shared duties. Anmarie, Laura and John Galgano share more lead vocal time then on previous albums. John Galgano's voice has improved tremendously and his bass playing is superb, getting a lot of presence to his fills and runs. Greg Dimiceli and Brian Coralian absolutely meld into a single eight limbed octo-drummer, locked in synchronistic harmony. Tom Galgano is in fine voice and, as a lead soloist, plays for the song and doesn't get "over the top." The biggest standout, though, is Paul Bremner. Brems really makes the most of every moment. His tone graces each tune with alternating power chords, deft flurries of razor sharp notes, ebow driven legato and sweet linear runs. Fabulous.

The tunes: Beatlesque melodies appear on Anything I Can Dream and Rose Colored Glasses. Muscular workouts, like Late Night Salvation and My River Flows. An epic showcase of musical twists and turns, choir-like passages, spiritual redemption and the kitchen sink on Deafening Silence. A sweet lullaby, Abby's Song. Social commentary on Deception. The band covers a lot of territory on this release, something for everyone.

I find myself skipping the title track and the finale. Why? For some reason, My River Flows doesn't click between the vocal melody and the chord structure. I felt the same way at Cal-Prog when they opened the show with this song. I can't put my finger on it, but something just doesn't fit. Deafening Silence is a huge tune, very hard to make it through in one sitting. I think it may be a case of a band trying to write an epic, rather than a song that demands it. I could hear DS broken down into three shorter pieces that would have worked much better. Rather than writing their Close to the Edge, they came up with a Tales from the Topographic moment. Too much padding, trying too hard? I don't know. Still, some fantastic interludes.

Why should you own this album? Late Night Salvation may be THE best prog tune of 2005. It is an awesome tune on every level; musically, lyrically, vocally and production quality. I remember the first time I heard Roundabout when I was a kid. I was shocked. LNS gave me that same feeling. Even with the small short-comings, My River Flows is an excellent addition to any prog collection. Cheers Greg!

IZZ rocks!

Stephen, keyboardist for Azureth

Forget any other Progressive Rock CD, GET THIS ONE !
Simply put, THIS is the band I have been waiting since Yes' "Close To The Edge" masterpiece, they have everything, the epic multi movement suites, the odd time signatures, and some beautiful vocals all on top of ROCK SOLID compositions, they are indeed the best new prog bands this decade.