Dianne Davidson | Baby

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United States - Tennessee

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Pop: Folky Pop Pop: Folky Pop Moods: Type: Vocal
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by Dianne Davidson

The very first album from this versatile musical legend. Pop and R&B influenced, with great songs and inspired musicianship. Stands the test of time.
Genre: Pop: Folky Pop
Release Date: 

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  Song Share Time Download
1. You're the Only One
2:50 $0.99
2. Just How Different Am I
3:47 $0.99
3. I Can't Help but Wonder
3:13 $0.99
4. Contemplation
3:13 $0.99
5. Sixty Minute Man
2:30 $0.99
6. Trying Times
2:55 $0.99
7. Clowns Exit Laughing
2:35 $0.99
8. Until I Get Back Home
3:18 $0.99
9. You Might as Well Be Free
4:55 $0.99
10. We Have Seen the Sign / Coming to Take You
4:43 $0.99
Downloads are available as MP3-320 files.


Album Notes
Album liner notes:

"If Dianne had gone to L.A. as a teenager, she’d have been a household name by now. I can only reflect on Dianne’s incredible soulful and magnetic voice and how that tells us who she is.

I recall some time in the past playing at the Troubadour in LA as a part of Dianne’s band. Right in the middle of the set Elton John appeared on the front row. Just the look on his face as he was watching her performance said it all. I wrote several songs with her along the way and they turned out very strong and powerful, especially “Tryin' Times.” Honestly how do you hype Dianne, no need, just listen."

Your friend Mac Gayden/Nashville, TN

"When we were kids I’m pretty sure Dianne and I made promises, to friends, lovers and kin, maybe a few to each other, but mostly to ourselves. Did we ever think this far ahead, and aim some promises high and far enough into the future so they would land in the vicinity of our older selves? ..... Baby, like all true beginnings, I think, can be received as both a record of the past and as a patchwork of promises flung, in 1970, into this present: to make more, be more, love more.

On this I can bear witness: Dianne keeps her promises, especially the ones she made to herself. Now, I suggest, as she told me one day in 1970:

Listen. To this. "
John Drummond / March 2016



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