Ann Elise Smoot | Skinner Organ Opus 712 (Saint Paul's Episcopal Church, Winston-Salem, North Carolina)

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Classical: Organ Classical: Keyboard Music Moods: Instrumental
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Skinner Organ Opus 712 (Saint Paul's Episcopal Church, Winston-Salem, North Carolina)

by Ann Elise Smoot

Ann Elise Smoot plays Skinner Opus 712 with poise and elegance. She approaches Vierne’s Fantasy Pieces with a delicate touch, but plays with exquisite intensity when the music calls for it. As Paul Hale of the Organist’s Review
Genre: Classical: Organ
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  Song Share Time Download
clip
1. Fantasia and Toccata, Op. 57: I. Fantasia
5:54 $0.99
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2. Fantasia and Toccata, Op. 57: II. Toccata
6:01 $0.99
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3. Trois Impressions, Op. 72: I. Harmonies du Soir
5:02 $0.99
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4. Trois Impressions, Op. 72: II. Clair de Lune
3:11 $0.99
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5. Trois Impressions, Op. 72: III. La Nuit
5:21 $0.99
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6. Sonata in E-Flat Major: I. Andante serioso ma con moto
8:09 $0.99
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7. Sonata in E-Flat Major: II. Allegro giocoso
3:37 $0.99
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8. Sonata in E-Flat Major: III. Maestoso
7:00 $0.99
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9. Pieces de Fantaisie Op. 53, Suite No. 2: I. Lamento
7:29 $0.99
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10. Pieces de Fantaisie Op. 53, Suite No. 2: II. Sicilienne
3:56 $0.99
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11. Pieces de Fantaisie Op. 53, Suite No. 2: III. Hymne au soleil
5:07 $0.99
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12. Pieces de Fantaisie Op. 53, Suite No. 2: IV. Feux follets
4:26 $0.99
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13. Pieces de Fantaisie Op. 53, Suite No. 2: V. Clair de Lune
9:01 $0.99
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14. Pieces de Fantaisie Op. 53, Suite No. 2: VI. Toccata
4:09 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Ann Elise Smoot plays Skinner Opus 712 with poise and elegance. She approaches Vierne’s Fantasy Pieces with a delicate touch, but plays with exquisite intensity when the music calls for it. As Paul Hale of the Organist’s Review observed, Smoot offers up "a dramatic performance of Stanford's great Fantasia & Toccata … followed by three wonderfully atmospheric Karg-Elert pieces." The smooth tones of Skinner Opus 712 (built 1929), painstakingly restored by Nicholas Thompson-Allen and Joseph Dzeda, are characteristic of the era of collegial collaboration between Ernest Skinner and G. Donald Harrison.

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